You Should Have Left (2020)

The scariest thing about the trailer and what I know about the movie going into it is the age gap between Kevin Bacon and Amanda Seyfried. Bacon’s character is supposed to be 61-years-old and Seyfried’s character is supposed to be 34-years-old. That’s a titanic age gap of 27 years, almost three decades. An age gap between romantic partners was a huge thing for as long as I have lived and, most likely, long before. However, people are starting to wake up to that maybe not being such a good thing. When people are older, the age gap is not as big of a deal. However, when one side of the relationship is so young, it becomes a much bigger deal. The major thing is the power imbalance. For example, a 60-year-old man is going to have much better finances than a 30-year-old woman. That gives the man quite a bit of power financially over his partner. Not to mention if you are dating somebody your dad’s age, there is power in that as well. In such a relationship, a man can really dominate the woman and make her powerless.

The basic premise of this movie reminds me of several creepypastas from back in the day when the Internet was younger. For those who do not know, creepypasta are scary stories posted on the Internet. The term comes from the slang term “copypasta” which is a block of text copied and pasted over and over on the web but these are scary stories instead. Back then, it was easy to get caught up in these stories and believe that they might be real. One story I remember vividly was very similar to the basic premise of this movie. The story was called The Dionaea House and it was about a mysterious house that preys on human beings, either killing them or hollowing them out and making them into lures to attract more people to the house. The house does not exist in one place and lies in wait like its namesake, the venus flytrap. This story is based on a novella as these sorts of stories have become more and more mainstream these days.

The first thing I noticed is the surreal kind of horror that I definitely expected from the trailers but not quite how I expected. The special effects are interesting. I include stunts in with special effects because there are some really impressive-looking shots in the opening scenes that were anxiety-inducing. The architecture of the house is incredibly interesting. Apparently, it was shot in a sort of modern-day monastery. It definitely shows as it feels like it is devoid of life and warmth and feels labyrinthine. They captured the feel of a big, empty house and it reminded me of my mom’s house with too many electrical switches. Still, they easily made the house feel like another character in the movie. The camera work is great, making a lot of the film feel claustrophobic even in wide-open spaces if that makes sense.

Kevin Bacon is a really good actor and he is great here as an insecure older man with a famous wife. Bacon just gets better as he ages and he plays gruff and discontent really well. However, his character often does not really feel invested in the movie. Amanda Seyfried is an actress that I have loved since Veronica Mars. She is great at being feisty and funny and full of energy, a contrast to Bacon. Avery Tiiu Essex plays their daughter and she is precocious and very good at being the child in distress. There is another role in the movie that I do not want to spoil but it is the creepiest part of the movie. The acting is very good as we get a family acting very much like a family. We also get a lot of the realism of a strained marriage.

Overall, this was an OK movie. It was not very thrilling nor was it extremely thought-provoking. From my own personal history, I really do not like movies about marital strife especially with children involved. There is some good existential horror but I feel like it does not really go anywhere. I do not recommend this movie unless the trailer interested you.

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