The Editor (2014)

Recently, I have dabbled a bit with video editing. Just little YouTube videos but it is a lot of fun. I learned to edit first with audio. I first learned by doing it on reel to reel, literally piecing tracks together. I later learned how to edit on cassette and then on a computer. I cannot imagine the pressure of being a professional film editor. To see the same footage over and over seeing the same people over and over and try to make a coherent story out of mounds of footage. You may never meet the people whose scenes you are cutting together. You may never meet the musicians that did the score or soundtrack. Post production is a heck of a grind. I remember reading stories of Robert Rodriguez sleeping on a couch as he re-edited his first film, El Mariachi. James Cameron went hungry and hallucinated during his first post-production. A lot of movie magic happens in the editing room.

Giallo is a fairly unknown sub-genre of horror in the United States but is much better known in Italy where it flourished. The first recognized giallo film was inspired by Alfred Hitchcock movies. In fact, Hitchcock may have been the grandfather of the subgenre. Giallo movies are identified by distinct characteristics. First, they usually involve gruesome murders done by mysterious disguised psychopaths. The protagonists are often outsiders trying to survive and solve the mystery. They are almost never cops or people of authority. The subgenre often explores madness, alienation, and paranoia. The death sequences are particularly gruesome and gory. These are just some of the elements of a Gialli. Last year I watched one based on Edgar Allen Poe’s The Black Cat. These kinds of movies are stylish and visually pleasing while also containing horrible gore. A great contrast.

The first thing I noticed was the lurid production design, so many interesting colors melding with the shadows. Well, that and all of the nudity. But seriously, the colors are absolutely beautiful even when the images should be terrifying. We also get to see the movie within the movie which is definitely just as pretty and just as bloody. The sets are strange and dreamy, full of manequins. strange props, and far too much smoke even for a movie studio. The gore effects are fantastic and silly and exciting and gross. The effects really surprised me with how effortless they looked and they looked like effects that luminaries like Lucio Fulci, Rick Baker, and Tom Savini would have been proud of.

The acting is absolutley fun as everything is done so melodramatically. It is so obviously bad that it is clearly a great tribute to Italian Giallo B-Movies. Everything is done with an odd dissonance and disconnectedness that sounds dubbed. It is a Canadian film so I assumed that it was filmed in English originally. The movie is led by the titular editor played by Adam Brooks (who also directed). He is a sad sack kind of guy who is dedicated to his work but feels disconnected from reality. Matthew Kennedy is silly and likable as the ineffective police detective assigned to the case. Paz de la Huerta plays the Editor’s comically overbearing wife. Samantha Hill plays the editor’s strange but alluring assistant. Everybody else is just delightfully weird and funny. I was so surprised by how much the movie made me laugh while keeping me on the edge of my seat and grossing me out.

Overall, I really loved this movie. It was a wild story with quirky characters that made me laugh, squirm, and a little bit scared. The visuals were very pretty at times and very gruesome at others. The contrast was great. I recommend this movie.

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