This is a prequel set sometime before the events of Framed. It begins with Roger working with his human family on a farm. He gets caught in the blades of a combine harvester, much to the horror of people around him. However, he emerges nonplussed and perfectly intact. His parents sit him down and explain that he is adopted, much to his shock. They gift him his trademark overalls and bowtie and also hand him a photo of his mother. Roger heads out west to find his birth parents and ends up on the streets of Hollywood.
We meet a man named Sid Savage, an agent who represents toons. It is clear that he is nearly broke and his secretary gives him sass about not paying her. He meets with a producer named Spinoza who wants to cast a toon stage review in the midwest. Sid auditions a bunch of his out-of-work clients who are all black and white toons. The audition is interrupted by Sid’s biggest client, Koko the Clown who has fallen on hard times. The meeting is also interrupted by the arrival of two thugs there to collect on a loan Sid took out. Sid leaves the thugs in his reception area and runs into Spinoza again back in his office who has changed his mind and will cast Sid’s clients. Sid escapes out the window and escapes via the ledge where he meets Nancy who works at the answering service down the hall. They have instant chemistry. Sid is nearly caught by the thugs but manages to escape in his car, inadvertently mangling one of their hands.
Roger is looking for his mother all over town, making a nuisance of himself.
Sid has been evicted by his landlord and is completely down on his luck. Roger literally runs into Sid on the street. Sid tells Roger he could be a star but Sid needs money for 8X10s and other promotional material. New to LA, Roger naively offers him all of his money in the world which Sid takes. Roger is excited to be a star but even more excited to find his mother. Roger’s mission touches Sid’s heart and makes him reconsider his actions. He gives Rogers money back, admitting he was trying to scam Roger. He tells Roger to smarten up or he’ll never survive.
After the two of them part, Roger accidentally causes Sid to get injured. Sid wakes up in his apartment with his landlord telling him that his rent has been paid. Roger shows up and reveals that he has become Sid’s roommate and paid the rent. It is revealed that Sid’s apartment is right next to Toontown which is why the rent is so cheap. Roger sees Toontown for the first time and he is delighted and sure that this is where his mother is. He starts scouting out Toontown by day to try and locate his mother.
Sid goes to meet with RK Maroon. RK points out that Sid will never get anywhere because he is too nice and far too soft. As Sid is leaving his meeting with Maroon, he sincerely compliments a beautiful actress named Vilma who he recognizes from silent film. When she talks to him, her voice is terrible. She thanks Sid for the compliment and moves on.
Meanwhile, RK has a big problem with his star Baby Herman. Herman has been starring in a series of cartoons where he plays a baby in danger and his babysitter tries to save him. The problem is that whoever is cast as the babysitter is no good. None of them are a good match for Herman and they are screwing up the cartoon and Herman’s career.
Sid returns to his office to find Nancy where his secretary usually is. She tells him that his secretary quit and she could not resist the ringing phone. Among the messages from bill collectors, there is also a message from Vilma who wants Sid to meet her at her mansion the next day. Sid tries to ask Nancy out on a date but she has plans with her roommate, if Sid can get her a date then they can double. Sid laments that his roomie is a toon but Nancy reveals that her roommate is also a toon. Perfect.
Nancy and Sid return to their respective apartments to tell their roommates about the date. Roger has not been able to find his mother and Sid invites him out to have some fun to take his mind off of things. Nancy tells her roommate Jessie to get ready for the date and criticizes Jessie’s frumpy, conservative attire. Jessie enters the bathroom and considers Nancy’s words. Before she can do anything, her lips become red on their own and her pinned-up hair becomes long and luxurious. She quickly wipes the phantom lipstick off and puts her hair back nervously.
On the date, Sid and Nancy get along well and their chemistry is obvious. Neither Roger nor Jessie has ever been on a date before and Roger nervously tries to get Jessie to have fun. Jessie is distracted and guarded. When Roger ends up in a wacky slapstick accident, it makes Jessie laugh and allows herself to have a little fun. On their movie date, they watch another horrible Baby Herman cartoon. However, Roger sees somebody who could be his mother onscreen. He is excited.
Meanwhile, the thugs arrive at a back-alley doctor’s office to fix the hand that got mangled. Inside, they meet Spinoza who assures them that he will help. He ends up replacing the thug’s hand with a toon hand.
Sid uses his connections to contact the casting director for the Baby Herman cartoon and Sid and Roger find out that the mysterious rabbit in the background was not an actress. She just walked into the shot at the hospital they filmed at. The casting director also asks Sid if he can get some of his clients to do background work and Sid says his clients are on the road. The casting director laments that it is getting harder to find toons. Roger and Sid go to the hospital and Roger bursts into the toon ward and makes a nuisance of himself looking for his mother. He is accosted by Dr. Spinoza who tells him he must be mistaken. Roger makes the connection between Dr. Spinoza and the producer Spinoza who met with Sid. Roger gets thrown out of the hospital. Spinoza calls the two thugs from earlier and tasks them with getting rid of Roger.
Sid goes to his meeting with Vilma at her mansion. She is bitter that she has been passed by after being a big star. She claims that she is getting voice treatments and that she wants the lead part in a new Marie Curie musical. Sid tries to tell her it’s hopeless but decides to lead her on when he sees the zeroes on the check. With Vilma’s money, Sid is suddenly flush with cash and he starts fixing up his business, getting nicer clothes, and a flashy new car.
Roger is still making a nuisance of himself, getting thrown out of the FBI offices. He gets picked up by the thugs who threaten him but he manages to escape their car into a movie studio. He rampages through sets for the Wizard of Oz, Gone with the Wind, etc. He ends up accidentally running into Baby Herman and the two go on a slapstick crazy ride together. This all allows Roger to escape the thugs and return home.
Sid has hired Jessie as his new secretary and she is happy to be given a chance. She’s trying to find out what she’s good at. Sid is barely paying attention. He has become self-absorbed. He runs into Nancy and apologizes for not calling. She is put off by his new attitude but agrees to another date. She spots him getting into Vilma’s limo and is concerned. Roger is upset with Sid who promised to help him look for his mother but is now blowing him off. Jessie decides to cheer Roger up and invites him on an impromptu dinner date which then moves onto the carnival where the two of them grow even closer.
We go back to Spinoza’s shady clinic where Spinoza has replaced the thug’s injured leg with a toon leg. As the thugs leave, Vilma has arrived and she tells Spinoza that she does not want a limb. She wants a voice. Spinoza has tasked the thugs with finding that perfect voice. The thugs meet an animator who has lost his creation and hums and sings her song for them. They take this info to Vilma but she brushes the animator off as crazy.
Nancy confronts Sid at his office as Sid has missed their planned dinner. Sid tries to apologize as he has been busy and Nancy calls him out for cozying up to Vilma. She accuses Sid of preying on a deluded Vilma and taking her money, selling out his principles. Vilma interrupts the argument and invites Sid to a lunch meeting. Nancy storms out and Sid realizes how Vilma has changed him and runs after her. Vilma then runs into Jessie who is singing a beautiful and familiar tune. The perfect voice the animator talked about.
Jessie and Roger are out on another date but Jessie stops herself from kissing Roger at the last moment. She tells Roger that she is not who he thinks she is. She is not sweet and good. She will only hurt him. Roger hits himself with various objects to prove that nothing can hurt him. In the middle of this, Jessica is kidnapped by the thugs. Spinoza is there as well and commands them to grab Roger too. Roger barely escapes and goes to find Sid who he finds drunk in a bar. Sid brushes him off, angry and upset about Nancy. After Roger leaves, Sid notices that the bartender has a toon ear, one identical to one of his clients. Sid finally makes the Spinoza connection. He runs out in time to save Roger from the thugs and the two united friends escape into Toontown. After a crazy romp through the wacky landscape, they go to rescue Jessie.
They accidentally split up and Sid finds his way inside first. There he meets Jessie who is voluntarily giving Vilma her voice. She reveals that she is doing it because otherwise, they will hurt Nancy who is also captive elsewhere in the building. Sid needs some way to distract Spinoza and his goons so he can rescue Nancy. Jessie knows the way to distract them and finally transforms back to the familiar form of Jessica. Jessica in all of her seductive glory flirts with Dr. Spinoza which Roger sees through a window, getting jealous. He bursts in to rescue Jessica but Vilma and the thugs have gotten the drop on him and have also caught Sid. Vilma and Jessica are prepped for surgery.
Roger has been put in storage where toons are kept frozen until their parts are needed. Once there, he sees what must be his mother. The power of their love melts the ice and the two rabbits are reunited. The moment is short as Roger rushes off to save Jessica. Spinoza reveals his plan to Sid who is angered at Spinoza’s callousness and bursts out of his restraint. He confronts Spinoza and freezes him in his own machine. Sid rushes to the club where Vilma was set to premiere and finds Vilma singing with Jessica’s voice but soon finds out that Vilma is lipsyncing to Jessica who is singing backstage. Nancy helps Sid take out Vilma’s thugs and they reveal Vilma’s charade to the audience. An enraged Vilma tries to light the theater on fire. Sid is distracted by a thug and is unable to help when Vilma accidentally sets herself on fire. She dies.
Roger bursts onto the scene and accidentally sets himself on fire and has a huge slapstick routine as he tries to put himself out. Baby Herman is in the audience and proclaims to RK Maroon that they found Herman’s partner. Roger is a star and Sid is his agent. Sid and Nancy are back together as Sid has earned his soul back. Roger and Jessica are together with Jessica finally being honest about how she’s drawn bad. Again, Roger’s mom reveals that his dad is Bugs Bunny
This is a serviceable prequel script for Framed. It captures a lot of the charm of the original while telling an original story. It also explores the essence of toons in a somewhat new way. I also feel like it does not pander too much by having too many elements from the first film. If it is a prequel, it should not have Eddie Valiant (or his brother in it). Roger and Eddie need to be relative strangers for Framed to work. It also does a good job of setting up the wholesome romance between Roger and Jessica. I also really liked how the human female love interest was less of an afterthought than in Framed.
There are not many things that I would change. The sexualization of Jessica Rabbit is a bit squicky for me and that could certainly be toned down a tiny bit. I’m also not sure how toons work anymore. I thought they were discovered in Toontown and got work in Hollywood. But animators can still create them? Seems a bit unclear to me but maybe I am just overthinking it. I also wouldn’t have made the discovery of Roger’s mother such an afterthought. He has been searching for her up and down for the whole movie. Why couldn’t she join in on saving the day in some small part instead of being put on hold for the rest of the movie?
Obviously, this script would have been worked and reworked before it was actually made so we are looking at an early draft of the film (probably). We are also looking at a movie on paper. With the right casting and Charles Fleischer’s delivery as Roger, a lot could be forgiven.
There is another sequel but that will have to wait until next time.