Posts Tagged ‘Universal’

The Invisible Man (2020)

October 21, 2020

I cannot let this review pass without a reference to the movements recently to out abusers. I refer not only to the Me Too movement but also the more recent Speaking Out movement which involved a lot of entertainers telling their own stories including the world of pro-wrestling. These movements are important because the issue of sexual abuse in or out of a relationship is frightening. As a man, I am unlikely to experience it but what I have seen is that the experience of sexual abuse is very isolating. That isolation can break all semblance of hope and happiness while a person is often forced to smile through it. Many in such a relationship end up living in fear of the other person. Fear of what the other person could do, fear of upsetting them and getting it worse, and fear of the secret getting out and making things even worse. The only way to break that fear is for the public to start believing victims when they speak up.

I remember reading The Invisible Man as a kid during one summer. We did not read many horror, fantasy, or science fiction books in school so I always scoured the summer reading list for what I could find, eventually venturing from those guidelines. It was my summer of reading HG Wells books which is who wrote this particular book. The Invisible Man book was interesting because it felt like it was both Horror and Science Fiction. A scientist tries to perfect an invisibility serum but, of course, problems and chaos ensue. The book warns of how literal anonymity is dangerous because the power comes with too much temptation to go too far. Besides the invisibility there are no other fanciful themes or elements and everybody is forced to react to an invisible man.

The first thing I noticed was the incredible tension, ratcheted up tight from the very beginning. The use of silence really drives home what kind of movie this going to be from the first few seconds. This is a suspenseful horror movie and I’m almost afraid to breathe. Elisabeth Moss is so good at playing the vulnerable victim that I felt for her in the first few shots. You know her story from the look in her eyes. Aldis Hodge is great as Moss’ friend and protector, a charismatic good guy. Her estranged sister is played with stony solidness by Harriet Dyer. There is also a creepy lawyer played my Michael Dorman. Of course, there is the titular character himself played brilliantly by Oliver Jackson-Cohen. Shout out also to the brilliant stunt work in the movie.

The special effects are so good. They got really good at using practical effects and digital replacement of stuntmen. Apparently, sometimes there is a stuntman there, sometimes nothing is there, and sometimes it is the actor. The mixing of the styles really puts the viewer in the paranoid headspace of the victim. There is just no way to know when the character is there and when they are not since you cannot trust your eyes. The use of light and darkness in some places (always a favorite of mine) is so good here because they did not have to worry about lighting the villain. The tracking shots are particularly good in this a they make you feel that you are creeping around with the characters, pulling you into the story.

Overall, I really loved this movie. This is how you remake an old story with a new twist. They could not have picked a better Writer/Director than Leigh Whannell who had some experience with invisibility from the Paranormal Activity series. However, he has advanced by leaps and bounds since those days. He was able to apply quite a few of the tricks he learned while making Upgrade and continues to improve as a filmmaker. I recommend this movie so much.


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