Posts Tagged ‘Woman in Black’

Top 11 Favorite Horror Villains

October 22, 2016

The following villains are my favorite horror villains mostly from film franchises. There are three that were also in books and one that was also in a play. These guys are my favorite villains and, on a sidenote, I wish there was more than one woman on the list. However, instead of talking about them generally, I wanted to talk about their motivations and how I identify with them somewhat. No matter what I say, I cannot condone or excuse anything these characters did. You should not respond to personal tragedy with violence or supernatural terror.


11 Jack Torrance

Jack is a great example of how the human mind can break if you apply enough of the right kind of pressure. He is arguably one of the most sympathetic characters on this list while still being incredibly sadistic and violent. He is a writer who just wanted to get some work done before his inner demons came out to play. It is hard to fight against that anger and resentment inside even if it is for the sake of people you love. When you lose yourself, anything can happen in the midst of that rage. Added to that, he was being egged on by a vortex of murderous ghosts. I definitely understand how powerful that anger is.


10 Hannibal Lecter

Lecter was a cannibal and a serial killer and you really can’t get past that. However, Dr. Lecter was also incredibly intelligent and had a personal code of honor he adhered to. More often than not, the people he killed or maimed were rude or jerks. They were assholes. Dr. Lecter had a clear picture in his head of what a good, useful person is. Personally, I can’t stand a bully. I would never kill or even physically harm anyone, though. I definitely have a lot of things that people can do that cause me to instantly lose respect for them. I wish a lot of the people who commit these things could disappear from my world but I would never actually act on that.


9 The Woman in Black

Regrettably, she is the only woman on this list and she might just have the saddest story of anybody here. She was not always a homicidal ghost. She was once a trying to get back to her baby when she drowned in the swampy land within a stone’s throw of her child. Now, anyone who sees her loses their child to the Grim Reaper’s bony hands usually by some impossible accident. It is horrible to feel cheated. That feeling gets even worse if being cheated hurts both you and your loved ones. You just want to burn the world down for daring to be so unfair. It is hard to accept the bad places we are put in.


8 Jason

When you take away all of the dead teenagers, Jason is hard not to feel sympathy for. He feels slighted for dying while those who were responsible for his safety neglected him. He wants revenge for this slight but cannot really go to a lawyer and file a wrongful death suit. Eventually, he just doesn’t want people in his territory and yet they keep invading his space over and over despite the danger. On top of all of that, they killed his mother. Sure she was murdering teenagers but you just don’t kill a guy’s mother. Really, he combines the motivations of Dr. Phibes and Jerry Dandridge strangely enough.


7 Pennywise

While Pennywise is probably the least scary clown in the history of horror clowns, I still like him. Pennywise is a great example of turning symbols of childhood into symbols of hate and fear. Pennywise just does not like kids. I often feel uncomfortable around children and sometimes I joke that I ‘hate’ children but they’re alright in small doses. Still, as uncomfortable as I can be around them, I really like some of the stuff that kids like. It is kind of a weird feeling sometimes to like all ages material but not really get along with all ages. Of course, Pennywise hates adults too so maybe we are pretty much alike.


6 The Leprechaun

The Leprechaun is a happy little fellow who lived with anger issues in Ireland. The trouble starts and the whole franchise is pretty much put into motion by people taking his gold. Unfortunately, he does not call the authorities to track down his stolen property and instead decides to kill for it. Unfortunately, I understand that impulse. I am fiercely territorial when it comes to my property. I get really upset when people enter my bedroom without asking. I get antsy when people handle my phone or go near my car. So I understand that impulse to get people away from my stuff. I do not believe that violence is the answer, though.


5 Dr. Anton Phibes

Phibes was undoubtedly a very smart person who suffered a horrible tragedy. He loved his wife and only wanted to hurt the people who had hurt her. I can understand that instinct. I don’t like it when people hurt me but I really don’t like when people hurt the ones I love. It can be too easy to lash out to protect or avenge the people you love even if it won’t actually help you. I don’t actually take action against those perpetrators but I find it nearly impossible to forgive. It is really hard to let go of that anger because letting it go feels like somebody is getting away with something.


4 Jerry Dandridge

He is possibly the most Eighties-tastic horror villain in film history. Jerry Dandridge moves into a peaceful Iowan suburb. He’s got a great big house, great furnishings and his buddy Billy Cole who lives with him. The only problem is that Jerry is a vampire and Billy is a… something else. They are killing people but they are really discreet about it. As far as we knew, he did not want to rule the world or anything. They just wanted to be left alone to do their own thing. While Jerry was indeed evil, I can definitely identify with that hunger for privacy. Thankfully, I do not also share his hunger for blood. I think a lot of us just want to be left alone.  I also wish I was as smooth and confident as Jerry Dandridge and of course I am talking about Chris Sarandon.


3 Evil Ash

In the entirety of the Evil Dead franchise, it is hard to pinpoint many actual villains with names and faces but the biggest one is Evil Ash. Evil Ash, for lack of a better name, is born two different times during the franchise when Deadite magic gets into Ash’s body. He literally splits from Ash’s body like an amoeba and looks and sounds just like him. He is a fairly intelligent deadite (undead) creature. Really, when he is born, he is stuck on the side of the Evil Dead. As with all deadites (except Sam), Evil Ash is immediately drafted into the dark side and is tasked with fighting for the Deadite army. Throughout his appearances, he is only playing the cards he is dealt. To a certain extent, it is hard to blame him for being evil since that is the way he was made. He has all of Ash’s positive and negative qualities, he just ends up on the wrong side of the fight.


2 Chucky aka Charles Lee Ray

Sometimes, I think that Charles Lee Ray is my spirit animal. By that, I don’t mean that I am confessing to being a killer doll who dabbles in voodoo and wisecracks. Well, I do like a good wisecrack. What I mean is that I think Chucky and I might share a similar trait in our brain chemistry. I was born with Attention Deficit Disorder and I think Chucky has it too. He has a lot of the symptoms, at least. During the Child’s Play films Chucky usually has one goal and that is to transfer his soul into a human body. Sure, he makes a lot of assumptions about how or why he can do that but it is still his stated goal. However, he is constantly diverting from his task to kill somebody else. Hell, in Child’s Play 2 he takes the time to murder a non-sentient doll and then buries it. He has a deadline but he just loves killing too much to get it done.


1 Freddy Krueger

Imagination is why I love and identify with Freddy Krueger. He puts so much thought and work into each and everything he does. It is not just the killing either. His taunting is so well laid out that it’s a good thing the dead don’t sleep or else he would never get it all done. He tailors each death individually like some weird boutique/concierge murderer. Usually, his only audience for these morbid art projects are the victims themselves who are going to be dead in a minute anyway. That shows dedication. He must have files on everyone in Springwood because he almost automatically knows how to kill just about anybody he meets in the most poetic way.

The Woman in Black (2012)

October 21, 2014


I recently watched The Woman in Black.  I actually started my usual method of riffing comments as they pop into my head but that plan died about three minutes in.  I’m not saying that this movie is unriffable but it just seemed wrong after a while.  This movie was too well done to really make fun of.  I was actually really looking forward to seeing this movie because way back in the day I actually designed lights, sound and helped build the set for a stage production of The Woman in Black.  (Most long time readers won’t remember this)

I realized that I never really talked about the rest of that experience.  Like any writer/artist I shudder when I look back at my old stuff and that was a full six years ago.  I was having a lot of fun playing with a new digital camera and I was genuinely impressed with what we were doing.  I continued to work on the show and it was an amazing production even if I was usually pretty frazzled back when I worked at Tri-State Actors Theater.

The show was very intense work and I fell into my usual ten to thirteen hour work days followed by sleeping late.   I built sets and hung and pointed lights in the late morning until the evenings.  The set was pretty much just a giant false proscenium with a black scrim stretched across it.  The structure was mammoth and it took three people to rig it to the ceiling with the cable and fittings we had picked.   The lighting was dark and subtle and a great fit for a dark, gloomy horror story.  I was really proud of all of that work because I had never done any work in horror before.

These long days originally left me doing all of the sound work in the middle of the night in my tiny, cold room that I rented in the back of a framing shop.  In retrospect, I probably should have seen a lot of parallels between my late night, solitary work and the work Arthur Kipps was doing.  Eventually, doing this work at night started to take its toll.  Finding horrible recordings and building sound cues like “Horse and Child Drowning in Swamp” in the middle of the night started to make me a little crazy.  I had to switch to doing the sound work in the morning and do the lighting work late at night instead.  My psyche thanked me for it.  Eventually we built a rich soundscape and true horror includes plenty of sound cues.

So after all of that, how did the movie stack up?  I really liked it.  Daniel Radcliffe plays a complex version of Arthur Kipps and gets a lot of mileage with very little dialogue.  He has come leaps and bounds from his time in Dumbledore’s Army and has really grown up.   The rest of the cast is spot on with a special nod to Ciaran Hinds who gives an especially moving performance.  The voice overs for the title character were well done and held the right amount of grief to the point of insanity.

The story is a rough one to get through and I forgot how much it terrified me.  I would warn those who are parents that any version of this story is going to be especially rough on you.  The terror is mixed so much with tragedy, sympathy and deep, dark emotions related to being a parent.  Themes include untimely death, revenge, grief, guilt, isolation and depression which are all incredibly heavy.  The story is told in a straight forward manner in the movie with very little actual dialogue.  The stage version has a framing device which actually adds a terrifying little twist but the story can do without it.

A little ways into the film I thought there was going to be too many jump scares and not enough real horror.  Jump scares are nice for startling the audience and jangling their nerves but it is startling, not terrifying.  The jump scares in this film are far more psychological and logical and pretty much none of them are the standard “Cat Scare” which have become so overdone in horror.  The movie can actually be really relentless and my heart was pounding pretty hard in parts.  The filmmakers obviously took a lot of care to go for a more literary horror than we’ve seen in bad horror movies in the past.  Hooking us like fish, ratcheting up the tension and letting us go and then reeling us back into terror until finally we realize there’s no escape.

One of the things that I liked so much about the movie was the attention to detail.  The production design was very intricate and most of the effects seemed to be practical instead of digital.  I am not putting down CGI effects because a bad practical special effect can look just as hokey as a bad CGI one.  This movie blended everything together pretty seamlessly but, as I well know, it can be easier to cover up flaws in the dark.

I would freely recommend this movie to anyone and everyone who enjoys horror movies and does not have a heart condition.   I don’t know what I want to review next but it probably won’t be Victorian Horror.  Probably.


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